Professor Andrea Brady, BA (Columbia) PhD (Cambridge)
Professor of Poetry
I was born in Philadelphia and studied at Columbia University in New York City. After working in publishing for a few years I came to the UK to study in Cambridge, and stayed here once I had finished my PhD. I started off as an early modernist, though now my interests range over poetry in all its times and forms. I am a poet, and work closely with contemporary poets in the UK and abroad. I have performed throughout the UK, Europe, Canada, the US and Lebanon, and have been invited to speak about poetry by the British Council, the BBC, the Arts Council, and the Poetry Society. My work has been translated into French, German, Spanish, Slovene, Slovak, Finnish, Greek, Catalan, and Croatian, and has been the subject of a large number of critical essays. I live in Hackney with my partner and our three small children.
In the 2016-17 academic year, I teach on:
From 2016-17, I will be teaching on two modules on the new MA in Poetry:
- ESH7058: Introduction to Poetics
- ESH7059: Poetry at Work
- ESH7060: Dissertation (MA Poetry)
- Poetry and bondage
- Ritual and anthropological approaches to literature
- Embodiment and prosody
- Theories of the imagination
- The material and political conditions of writing
- Women’s writing in the seventeenth century
- The phenomenology of infancy
- Marxist and critical theory
Recent and On-Going Research
My scholarly interests in early modern and contemporary writing overlap with my poetic practice. I am currently writing a book, funded by the Leverhulme Trust, on poetry and constraint across several historical periods. I am particularly interested in interaction between poetry and politics, a theme which emerges in my monograph English Funerary Elegy in the Seventeenth Century (Palgrave Macmillan, 2006). With Emily Butterworth (King’s) I edited a collection of essays on The Uses of the Future in Early Modern Europe. I have written many journal articles and essays, as well as interventions in debates on contemporary writing.
I am very keen to support experimental poetry in the UK, and particularly emerging writers. With Keston Sutherland, I established the small poetry press Barque in 1995. In 2005 I founded the 'Archive of the Now', the UK’s largest digital archive of performances by experimental poets. In addition to recordings of hundreds of poets, the Archive has hosted a poet-in-residence, workshops for secondary school students, and a project to establish best practice protocols for digital archive metadata. In 2013 I established the QMUL Centre for Poetry, which hosted the Globe Road Poetry festival, a three-day international festival of performance, screenings, workshops, debates and experiments which I curated in November 2015. The Centre for Poetry has launched MA in Poetry in 2016.
- English Funerary Elegy in the Seventeenth Century: Laws in Mourning. Early Modern Literature in History Series, ser. ed. Cedric Brown and Andrew Hadfield (Basingstoke; Palgrave Macmillan, June 2006, ISBN 140394105X, 266pp). Academic monograph.
- The Uses of the Future in Early Modern Europe. Ed. Andrea Brady and Emily Butterworth (London and New York: Routledge, 2009, ISBN 978-0-415-99540-5, 242pp). Edited collection.
Books of Poetry:
- The Strong Room (London: Crater Press, 2016, 66pp)
- Cut from The Rushes (Hastings: Reality Street, 2013, 134pp)
- Mutabililty: Scripts for Infancy (London, New York and Calcutta: Seagull Books, 2012, 110pp)
- Wildfire: A Verse Essay on Obscurity and Illumination (San Francisco: Krupskaya, 2010)
- Embrace (Glasgow: Object Permanence, 2005, 57 pp)
- Vacation of a Lifetime (Cambridge: Salt, 2001, 130 pp)
- ‘Drone Poetics’, New Formations (forthcoming 2017)
- ‘From Grief to Leisure: Lycidas in the Eighteenth Century’, Modern Language Quarterly 77.1 (2016): 41-63
- ‘Hubbub and Satire’, Renaissance Studies 30.1 (2016): 120-136
- ‘The Subject of Sacrifice in Proud Flesh and Down to Earth by John Wilkinson’, Textual Practice 28.1 (2014): 57-78
- ‘The Physics of Melting in Early Modern Love Poetry’, Cerae 1 (October 2014): 22-52. Winner of the ARC Centre of Excellence for the History of Emotions and the Centre for Medieval and Early Modern Studies at the University of Western Australia Essay Prize
- ‘Echo, Irony and Repetition in the Writings of Denise Riley’, Contemporary Women’s Writing 7.2 (2013): 138-156
- ‘The Platonic Poetry of Katherine Philips’, The Seventeenth Century 25.2 (January 2011): 300-322
- ‘Making Use of the Pain: the John Wieners Archives’, Paideuma 36 (July 2010): 131-179
- “‘Without welt, gard, or embroidery”: A Funeral Elegy for Cicely Ridgeway, Countess of Londonderry (1628)’, Huntington Library Quarterly 72.3 (September 2009): 373-395
- ‘Shadowy Figures in Quill, Solitary Apparition by Barbara Guest’, Chicago Review 53.4 and 54.1/2 (2008): 120-125
- “Dying with Honour: Literary propaganda and the second English Civil War’, Journal of Military History 70.1 (Jan. 2006): 9-30. Winner of the Moncado Prize 2007
- ‘Grief Work in a War Economy’, Radical Philosophy 114 (July/Aug. 2002): 7-12
- ‘To Weep Irish: The Politics of Early Modern Keening’, Mourning and the Law (University of Massachusetts Press, forthcoming 2017)
- ‘Funeral Elegy’, Companion to Renaissance Poetry, ed. Catherine Bates (Blackwell, forthcoming 2016)
- ‘The Principles of Song: On Denise Riley’, Toward. Some. Air., ed. Fred Wah and Amy De’Ath (Banff: Banff Centre Press, 2015)‘The Loneliness of the Long Distance Poet’, The Oxford Handbook of Contemporary British and Irish Poetry, ed. Peter Robinson (Oxford UP, 2013), 707-726
- ‘Ghostly Authorities and the British Popular Press’, in Gothic Renaissance, ed. Elisabeth Bronfen and Beate Neumeier (Manchester: Manchester UP, 2014), 180-196
- ‘Distraction and Absorption on Second Avenue’, in Frank O'Hara Now: New Essays on the New York Poet, eds. Will Montgomery and Robert Hampson (Liverpool: Liverpool University Press, February 2010), 59-69
- ‘“These Dear Relicks”: Abiding Grief in Reformation England’ in The Reformation Unsettled: Pre-Reformation Religious Culture in Early Modern British Literature, 1560- 1660, ed. J.-F. van Dijkhuizen (Leiden: Brepols, 2009), 183-203
- ‘The Gift of Mourning: Death in the Early Modern Household’ in Emotions in the Household, 1200-1900, ed. Susan Broomhall (Basingstoke: Palgrave Macmillan, 2008), 185-202
- ‘On Poetry and Public Pleasure: a reading of Tom Raworth’, in Poetry and Public Language, ed. Tony Lopez and Anthony Caleshu (Exeter: Shearsman, 2007), 25-36
- ‘The Other Poet: John Wieners, Frank O’Hara, and Charles Olson’ in Don’t Ever Get Famous: Essays on New York Writing after the New York School, ed. Daniel Kane (Illinois State University: Dalkey Archive Press, Dec. 2006) 317-347; reprinted in Jacket 32 (April 2007)
- ‘Zero Longitude: Notes on Kevin Nolan’s Elegiac Centres’, The Paper 5 (Oct. 2002): 27- 35; reprinted in Necessary Steps: Poetry, Elegy, Walking, Spirit, ed. David Kennedy (Exeter: Shearsman, 2007), 11-27
- ‘No Turning Back: Acrylic Tips’, Quid 17: for J. H. Prynne, in Celebration (24 June 2006): 80-83
- ‘For Immediate Delivery: on the semiotics of blogs’ in Put About: a critical anthology on independent publishing, ed. Maria Fusco and Ian Hunt (London: Book Works, 2004)
- Entries for all contemporary American and British poets, The Cambridge Guide to Literature in English, gen. ed. Dominic Head (Cambridge UP, 2004)
Magazine and internet articles
- ‘Where Do These Lines Go? Poetry in Beirut’, Poetry Review (Autumn 2016): 28-38
- ‘The White Privilege of British Poetry is Getting Worse’, The Conversation (8 October 2015)
- ‘Poetry and Space’, Widening the Register: the CreativeWorks blog (23 September 2015)
- ‘First Readings: Basil Bunting performs Sir Thomas Wyatt’s “Blame not my lute”’, First Readings, ed. Al Filreis, Brian Reed, and Craig Dworkin, Jacket2 (May 2015):
- ‘The Progressive Poetics Project, ed. Harvey Hix (11 March 2015)
- ‘Life Worth Crowning’, Berfrois (18 September 2013)
- ‘Letter to Bob Archambeau’, Cambridge Literary Review 2 (January 2010): 244-249
- Contribution to round-table discussion at launch of Journal of British and Irish Innovative Poetry (Birkbeck, October 2009): 3
- Review of Sarah Covington, Wounds, Flesh, and Metaphor in 17th Century England (Palgrave Macmillan, 2009) for Renaissance Quarterly 63.3 (Fall 2010): 992-3.
- Review of Peter Sherlock, Monuments and Memory in Early Modern England (Ashgate, 2008, 296 pp.) for H-Albion (January 2010).
- Review of Poetry magazine, Times Literary Supplement, March 2005.
- ‘The Same War Continues: Denise Levertov, New Selected Poems’, Poetry Review 94.2 (2004): 76-8.
- ‘Object Lessons: George Oppen, New Collected Poems’, Poetry Review 94.1 (Spring 2004): 64-70.
- ‘Walking and Standing Still in Suffolk: RF Langley, More or Less’, Poetry Review 93.1 (2003): 67-73.
- 'Out of This World: Peter Robinson, Poetry, Poets, Readers: Making Things Happen’, Poetry Review 92.4 (Winter 2002): 96-99.
- ‘The Middle Distance: Lorine Niedecker, Collected Poems’, Poetry Review 92.3 (2002): 87-91.
- Review of Left Under a Cloud by Stephen Rodefer, Jacket 15; ‘Brief Notes on Reverses by John Wilkinson’, Jacket 9.
- Dompteuse (Toronto: Bookthug, 2014, 40pp)
- Cold Calling (Cambridge: Barque, 2004)
- Liberties (New York: Potes & Poets, 1999)
- Cranked Foil (Cambridge: Poetical Histories, 1997)
Poetry Translated into Foreign Languages
- Translated into Catalan, Nova poesia anglesa, trans. Jessica Pujol (Mallorca: Lleonard Muntaner, 2016)
- Translated into Croatian, ‘Suvremeno britansko pjesnitstvo’ (feature on contemporary British poetry, POEZIJA (Summer 2015)
- '40 Days and 40 Nights’ translated into Greek, a glimpse of 16 (2014)
- Translated into Slovene, Slovak and Finnish, 11th annual The Golden Boat poetry and translation residency (September 2013)
- Translated into German for the magazine Schreibheft: Zeitschrift für Literatur 80 (Feb. 2013): 155-166 by Léonce W. Lupette, Christian Lux and Susanna Mewe.
- Translated into Spanish for the anthology La Isla Tuerta: 49 poetas britanicos (1946- 2006) (Madrid: Lumeneditorial, 2009)
- Translated into French for cipM 147 (Marseille, May 2006).
Poetry magazine publications
- Arras, the baffler 15, big allis 8, Boxon; Cambridge Literary Review 2 (Jan. 2010), 5 (Oct. 2011), and 8/9 (2015); Capilano Review; CCCP 9 Poetry Archive, Chicago Review 47.3 (Fall 2001) and 59.1/2 (May 2015); Cordite 51.1 (February 2015); Dusie 6 (Oct. 2007), The East Village Poetry Web 5 (1999), Fence (Summer 2012): 80-83, Floor 2 (October 2013): http://floorjournal.com/2013/07/10/synthesizer/; 4 Golden Handcuffs Review 22 (autumn 2016): 11-24; HiZero (2011), How2 1.8 (Fall 2002); Jacket 3, 9; Litter; Mute 2.6 (August 2007); The New Review of Literature 4.1 (Oct. 2006), Object Permanence 8 (Feb. 1997); Ocean State Review 5 (Summer 2015); Onedit 6; Parataxis 10; Poetry Review 94.3 (Autumn 2004); Quid; Ratapallax; Salt 10 (1997); Slope; Stand n.s. 1.4 (Dec. 1999); This Corner 1 (2011); triquarterly; The Wolf 17 (April 2008); Verse 16.3 and 17.1, Vlak 1 (Sept. 2011): 188-191, and Yt Communications.
- Infinite Editions: poem and artwork
- Out of Everywhere 2, ed. Emily Critchley (Hastings: Reality Street, 2015, ISBN978-1- 874400-68-4 )
- For the Children of Gaza, ed. Matthew Staunton and Rethabile Masilo (Oxford: Onslaught Press, 2014, ISBN 978-0-9927238-4-2)
- The Dark Would: anthology of language art, ed. Philip Davenport (Apple Pie Editions, 2013, ISBN 978-1909388000).
- The Wolf: A Decade (Poems 2002-2012), ed. James Byrne (2012).
- Infinite Difference, an anthology of women’s writing, ed. Carrie Etter (Shearsman, 2010, ISBN 978-1848610996)
- ‘Andrea Brady, une poésie vivante’, Agenda Culturel (Beirut)
- Sarah Howe, for Practical Criticism 1 (July 2014)
- Elena Juan Ruiz, I Don’t Call Myself a Poet: Interviews with Contemporary Poets Living and Working in Britain (13 August 2012)
- Scott Thurston, Talking Poetics— Dialogues in Innovative Poetry: Scott Thurston talks to Karen MacCormack, Jennifer Moxley, Caroline Bergvall and Andrea Brady (Shearsman, 2011, ISBN 9781848611917)
- Rob McLennan, ‘12 or 20 Questions'
- The Other Room: Reading and Interview
- Andrew Duncan, The Argotist
- Rosheen Brennan, How2
• Produced a script for director Barry Edwards for the performance Shiver. Live performance debuted at theatro technis, Camden, London, 11 July 2006.
• A film from the same text was distributed in November 2006.
Essays on my poetry:
Michael Peverett, ‘Andrea Brady: Cut from the Rushes, etc.’, Intercapillary Space (October 2015): http://intercapillaryspace.blogspot.co.uk/
‘A Copia of Words’, Birkbeck College, 13th December 2014: one-day colloquium about my work.
Sophie Read, ‘Awake for Ever: An Essay’, prac crit 1 (July 2014): http://www.praccrit.com/poems/awake-for-ever/
Ashleigh Lambert, Review of Mutability, The Rumpus (8 January 2014): http://therumpus.net/2014/01/mutability-scripts-for-infancy-by-andrea-brady/
Andrew Spragg, Review of Cut from the Rushes, HixEros (January 2014): http://tinyurl.com/nggmzmn
Vicky Sparrow, Review of Mutability, The Literateur (6 December 2013): http://literateur.com/mutability-scripts-for-infancy-by-andrea-brady/
David Kennedy and Christine Kennedy, Women’s Experimental Poetry in Britain 1970–2010: Body, Time and Locale (Liverpool University Press, 2013, ISBN: 9781846319778): http://www.liverpooluniversitypress.co.uk/index.php?option=com_wrapper&view=wrapper&Itemid=11&AS1=women%27s+experimental+poetry+in+britain
Jeremy Noel-Tod and Ian Hamilton, eds., The Oxford Companion to Modern Poetry in English, second ed. (Oxford University Press, 2013, ISBN 9780199640256): http://global.oup.com/academic/product/the-oxford-companion-to-modern-poetry-in-english-9780199640256;jsessionid=146E55B3E6A0E1B6492A13A050A3B5B8?cc=gb〈=en&
Brian M. Reed, ‘Andrea Brady’s Peculiar Dissidence’, in Nobody's Business: Twenty-First Century Avant-Garde Poetics (Ithaca, NY: Cornell University Press, 2013, ISBN 978-0-8014-5157-7 ): http://www.cornellpress.cornell.edu/book/?GCOI=80140100421820
Joel Duncan, ‘She Has Been Enlisted in the Choir Under Compulsion’, Notre Dame Review, 36 (Summer/Fall 2013): 207-210: http://ndreview.nd.edu/current-web-issue/
Alex Latter, ‘Extraordinary Renditions: Voicing Opposition to War,’ Alluvium, Vol. 1, No. 6 (1 November 2012): http://dx.doi.org/10.7766/alluvium.v1.6.04.
‘Some Short Foule Field Notes: John DeWitt, Lisa Jeschke, Andrea Brady, 14th Cambridge, January 2012’:
Mandy Bloomfield, ‘Revolution in Spatial Poetics’, at ‘Poetry and Revolution’ (Birkbeck 2012):
John Sears, ‘Andrea Brady's Wildfire: Generation’, Tempmorel: revue littéraire & artistique (29 April 2012). http://temporel.fr/Andrea-Brady-s-WILDFIRE-Generation
Review of Wildfire by Ange Mlinko, Chicago Review 56.4 (Winter 2012): 122-124.
Jennifer Cooke, ‘Poetry and Knowledge: the Exhibition of Andrea Brady’s Wildfire’; Scott Thurston, ‘Talking Poetics: Dialogues in Innovative Poetry’; Romana Huk, ‘New British Schools’ – all at ‘Legacies of Modernism: The State of British Poetry Today’, UFR Etudes-Anglophones, Université Paris-Diderot, 9-11 June 2011.
Review of Wildfire by Catherine Wagner, Poetry Project Newsletter (April-May 2011): 17-18
Daniel C. Remein, ‘Kinesis of Nothing and the Ousia of Poetry (Part Review Essay, Part Notes on a Poetics of Auto-Commentary’, on Wildfire, Glossator: Practice and Theory of the Commentary 3 (2010): 67-94.
Scott Thurston, ‘Innovative Poetry in Britain Today’, Revista Canaria de Estudios Ingleses (April 2010): 15-30.
Marc Porée, ‘Contemporary British Women Poets (1985-2005): A New Legislature’, E-rea: Revue électronique d’études sur le monde Anglophone 6.1 (October 2008): http://erea.revues.org/78
Thom Donovan, Introduction for Andrea Brady, Segue Reading Series, New York (http://whof.blogspot.com/2010/12/introduction-for-andrea-brady-segue.html)
Jon Clay, Sensation, Contemporary Poetry and Deleuze: Transformative Intensities (Continuum, 2010).
Sophie Mayer, Review of Andrea Brady's Wildfire and Simon Perrill's Nitrate, Hand+Star (http://www.handandstar.co.uk/?p=825)
Richard Owens, 'Working Notes: Andrea Brady's Wildfire,' Damn the Caesars (http://damnthecaesars.blogspot.com/2010/06/working-notes-andrea-bradys-wildfire.html)
Amica Dall, 'Trying to Look Correctly at the Subjects of Andrea Brady's 'Saw Fit', Hot Gun 1 (Summer 2009): 22-28.
Nicky Marsh, ‘Going “Glocal”: The Local and the Global in Recent Experimental Women's Poetry’, Contemporary Women's Writing 1 (2007): 192-202.
Simon Perril, ‘Two Slices of Toast: Emptiness and Disappointment in Recent Works by Peter Manson and Andrea Brady’, Symbiosis 11.1 (April 2007): 75-88.
Tom Jones, ‘Andrea Brady’s Elections’, Litteraria Pragensia (December 2007): 139-147.
Josh Robinson, ‘“Abject Self on Patrol”: Immaterial Labour, Affect, and Subjectivity in Andrea Brady’s Cold Calling’, Litteraria Pragensia (December 2007): 148-157.
John Wilkinson, ‘Off the Grid’, Chicago Review 53.1 (Spring 2007): 95-115, reprinted in The Lyric Touch (Cambridge: Salt, 2007).
Marianne Morris, ‘Behind the Veil’, Review of Embrace, Jacket 29 (April 2006) [http://jacketmagazine.com/29/morris-brady.html]
Keston Sutherland, University of Sussex: ‘Vocal Stupor 2: Notes on Love Poetry’, and Jonathan Clay, Birkbeck, University of London: ‘Andrea Brady’s ‘Saw Fit’: Poetic Innovation and Politics’ (New Readings of British Contemporary Poetry, University of Dundee, 3 June 2006)
Robin Purves, ‘American Change: A Note on Andrea Brady and the Language of Consumption’, Edinburgh Review 114 (2004): 177-185.
Stuart Kelly, ‘All lines are busy’, Review of Cold Calling, Poetry Review 94.2 (Summer 2004): 95-7.
John Hall, ‘Eluded readings: trying to tell stories about reading some recent poems’, The Gig 15 (Sept. 2003).
Reviews of Vacation of a Lifetime: Publishers Weekly 23/9/02; Keith Elliot, Terrible Work [http://terriblework.co.uk/andrea_brady]
Reviews of Liberties: Nada Gordon, readme 1 [http://home.jps.net/%7Enada/issueone.htm].
I would welcome enquiries from potential doctoral students interested in any of the areas of my research.
I have recently supervised the following successful PhD projects:
- Sophie Seita, ‘Proto-Forms of the Avant-Garde: Little Magazines as Communities of Print, 1914-2016’ (2016)
- Stephen Willey, 'Bob Cobbing 1950-1978: Performance, Poetry and the Institution', co-supervised with Peter Howarth (2012)
I have appeared on BBC Radio, on podcasts, and at literary and cultural festivals to discuss poetry. A list of some recent appearances is here.
Documentary on Artificial Intelligence and Brain Science, for the Korean Broadcasting Service
Documentary on Creativity and Artificial Intelligence, for TV Chosun, South Korea (interviewed 15 March 2016; broadcast May 2016)
‘The Exponential Horn’, one-hour live broadcast from the Science Museum’s Virgin Media Lab and on Resonance 104.4 FM (6 June 2014): https://soundcloud.com/resonance-fm/14-00-00-archive-of-the-now
‘A Few Don’ts’, BBC Radio 4, contributor (broadcast 2 December 2012): http://www.bbc.co.uk/programmes/b01p3cg0
Podcast about poetry, constraint and conceptualism, in conversation with dance critic David Jays and the director of Arts Admin, Judith Knight, for Chris Goode and Company (8 October 2012): http://chrisgoodeandco.podbean.com/
Poetry discussion at the APT Gallery, London (22 October 2016)
Q&A with Ben Lerner, London Review of Books bookshop (11 October 2016)
Roundtable on poetry and politics in Beirut, Lebanon (8 May 2015)
‘Death and the Contemporary’ panel discussion, Inside-Out Festival, Somerset House (23 October 2012): http://www.insideoutfestival.org.uk/events/death-andthe-contemporary/
‘A Change of Culture’, HowTheLightGetsIn Philosophy and Music Festival, Hay on Wye (7 June 2012)
Commissioned to write and perform a poem on the day’s news events for National Poetry Day on ‘World Update’ with Dan Damon, BBC World Service (6 October 2005)
Poetry Publishing Panel with Michael Schmidt (Carcanet) and Matthew Hollis (Faber), New Writing Types, Arts Council England East (Norwich, 10-14 November 2004)
I have given readings at a variety of venues in London, Cambridge, Bolton, Brighton, Dundee, St. Andrews; Berlin, Marseille, New York, Philadelphia, Chicago, Buffalo NY, Boston and Vancouver. Recent highlights include:
2016 Storm and Golden Sky, Liverpool (28 October)
2016 Centre for Contemporary Arts, Glasgow (5 October)
2016 ICA, London (24 July)
2016 Yale University, New Haven, CT (4 April)
2016 Zinc Bar, New York, NY (1 April)
2015 Beyt el Kottab, the International Writer’s House, Beirut, Lebanon (8 May)
2015 University of East Anglia Poetry Festival (18 April)
2015 St George English Bookshop, Berlin, Germany (25 March)
2014 University of Sheffield (26 November)
2014 Foundation Louis Vuitton, Paris (13 November)
2014 Serpentine Gallery, London (1 November)
2014 Helsinki Poetics Conference, Antikvariaatti Sofiassa (21 October); Bookcafe, Turku, Finland (24 October)
2014 HiZero, The Hope, Brighton (14 October)
2014 The Jericho Tavern, Oxford (5 October)
2014 ‘Petrarch’, RichMix Cultural Centre, London (28 June): https://www.youtube.com/watch?v=_6MAeUgg_Ww
2014 Polyply, Centre for Collaborative Exchange, University of London (5 June): http://polyply.wordpress.com/audio/2014 University of Chicago (9 May): http://lucian.uchicago.edu/blogs/poetic-genre/
2014 Princeton University (16 April): http://poetry.princeton.edu/event/andrea-brady-jennifer-moxley/
2014 Amid the Ruins, Daniel Blau Gallery, Hoxton Square (5 March)
2014 Department of Literature, Film and Theatre Studies, University of Essex (5 February)
2013 The Golden Boat poetry and translation residency, Škocjan and Ljubljana, Slovenia (1-8 September)
2013 Feelings at Vogue Fabrics, Dalston (15 August)
2013 SoundEye festival, Cork, Ireland (5-7 July)
2012 Hay Poetry Jamboree, Hay on Wye (7 June)
2012 HiZero, The Hope, Brighton (25 April)
2012 The Other Room, Manchester (29 February)
2012 Lyric and Polis, University College Falmouth (18 February)
2012 3 AM Magazine’s Maintenant Camarade, Rich Mix Centre, London (11 February)
2012 Foule Reading Series, Pembroke College, Cambridge (14 January)
2011 City Art Centre, Edinburgh (22 January)
2010 Segue Reading Series, Bowery Poetry Club, New York (18 December 2010)
2010 Centre for Creative Collaboration, University of London (14 October)
2010 Double Change, Paris (23 September)
2010 Intimacies conference, University of Loughborough (10-12 September)
2010 Hiding Place gallery, Philadelphia, USA (5 August)
2010 London Cross-Genre Festival, University of Greenwich (14-16 July)
2010 Memorial readings for Goran Printz-Pahlson, University of Cambridge (28 June)
2010 Sussex Poetry Festival, University of Sussex and Nightingale Theatre, Brighton (16-18 April)
2010 Queens’ College, Cambridge (29 January)
2009 Openned, The Foundry, London (1 November)
2009 Cafe Oto, London (15 May)
2009 Parasol Unit Gallery, London (30 April)
2007 Reading at Berlin Poetry Hearings
2007 Readings at the Notre Dame University, South Bend, IN; University of Chicago; Miami University of Ohio; SUNY Buffalo; Harvard; New York and Philadelphia. This reading tour was sponsored by the Chicago Review, to coincide with a special issue dedicated to Andrea’s work and three other poets.
2006 Reading at the Centre Internationale de Poésie Marseille.
2005 Reading and paper in Vancouver, Canada, sponsored by the British Council and the Kootenay School of Writing.
2005 Commissioned to write and perform a poem on the day’s news events for National Poetry Day on ‘World Update’ with Dan Damon, BBC World Service.