|
Aoife Monks |
Keynote Speaker |
Performing Space public symposium, Dublin Theatre Festival |
09/10/2014 |
|
Michael McKinnie |
Olympian Performance: The Cultural Economics of London 2012 |
Art and Culture After Mega-Events, Vancouver |
14/08/2014 |
|
Michael McKinnie |
Urban Performance, Productivity and the Spatial Fix |
Seeing Like a City Conference, Queen Mary University of London |
06/06/2014 |
|
Caoimhe McAvinchey |
Love and Grit: A Manifesto of Feminist Performance Making |
Launch of Jen Harvie and Lois Weaver’s The Only Way Home is Through The Show: Performance Work of Lois Weaver, QMUL |
16/11/2015 |
|
Caoimhe McAvinchey |
Performance and Community: Playing for Real |
Drama with Children and Young People in Multi-lingual and Multi-cultural Contexts symposium, Asahi University |
18/10/2015 |
|
Caoimhe McAvinchey |
Guest Speaker |
Our Country’s Good: The Transformative Power of the Arts, symposium by National Theatre and National Association for the Arts and Criminal Justice, National Theatre, London |
14/10/2015 |
|
Caoimhe McAvinchey |
Possible Fictions: Clean Break Theatre Company |
Women, Narrative and Crime conference, Teeside University |
09/07/2015 |
|
Caoimhe McAvinchey |
Guest speaker and workshop facilitator, Artful Measures: The Expert Fruitcake Workshop |
Love Arts festival and symposium about arts and mental health, York St John’s University |
03/07/2015 |
|
Caoimhe McAvinchey |
Guest speaker and presenter for the launch of the Artful Measures website |
The Expert View: Artist Led Festival and Symposium curated by Bobby Baker and Daily Life Ltd |
07/05/2015 |
|
Caoimhe McAvinchey |
Disturb, Disrupt and Disconfirm: Clean Break’s re-presentation of women with experience of the criminal justice system |
Royal Centre School of Speech and Drama, London |
03/03/2015 |
|
Caoimhe McAvinchey |
Participation and Performance in Heritage Contexts |
Opening address at Making Tracks symposium, Tallaght Community Arts and the Pearse Museum, Dublin. |
07/07/2016 |
|
Caoimhe McAvinchey |
Speak As You Find: Disrupting and Developing Narratives of Community through Intergenerational Arts Practice |
NYU Forum on Educational Theatre, New York University |
23/04/2016 |
|
Caoimhe McAvinchey |
Keynote, Rooms with a View: Disrupting and Developing Narratives of Community through Intergenerational Arts Practice |
QMUL |
20/04/2016 |
|
Martin Welton |
In Praise of Gloom: The Theatre Defaced |
Theatre in the Dark symposium, University of Surrey |
12/07/2014 |
|
Martin Welton |
Staging the Shadows: Not Seeing What You Mean in Theatre in the Dark |
Performing Research symposium, Central School of Speech and Drama |
14/01/2015 |
|
Martin Welton |
Dancing With the Sound of Birds |
Beijing Dance Academy symposium, Beijing Dance Academy |
18/11/2015 |
|
Nicholas Ridout |
Full English |
Contemporary Drama in Europe 24th Annual Conference, University of Barcelona |
06/06/2015 |
|
Nicholas Ridout |
Performance and Publics |
Museum of Modern Art, Warsaw |
20/02/2014 |
|
Nicholas Ridout |
The Trunk-Maker |
Generative Indirections Conference, Montemor o-Novo, Portugal |
07/09/2013 |
|
Bridget Escolme |
Shakespeare, Performance Studies and the Site-Specific |
Shakespeare Association of America Annual Meeting, Boston |
05/04/2012 |
|
Bridget Escolme |
Plenary lecture and four days of practical workshops |
Shakespeare Forum, Bahia, Salvador, Brazil |
01/02/2013 |
|
Bridget Escolme |
Laughter, Cruelty and Emotional Excess in Early Modern Drama and its Contemporary Revisions |
Centre of Excellence for the History of Emotions, Australia |
30/07/2014 |
|
Bridget Escolme |
Keynote Lecture |
Meta-Play: Early Modern Drama and Metatheatre, University of Kent |
13/06/2015 |
|
Bridget Escolme |
Keynote Lecture |
Bloody Passions: Extreme Emotions in Early Modern Culture, University of Portsmouth |
31/11/2015 |
|
Shane Boyle |
The Container Fetish |
Imagining Containers as Social Landscapes, Queen Mary University of London |
26/09/2015 |
|
Shane Boyle |
Logistics and Participation |
Together in Solitude, York St John's University |
2015 |
|
Shane Boyle |
Peter Stein’s Mitbestimmungstheater and the Real Subsumption of Labor |
London Theatre Seminar |
26/02/2015 |
|
Shane Boyle |
The Container Aesthetics of Shunt’s The Boy Who Climbed Out of His Face |
QUORUM, Queen Mary University of London |
11/03/2015 |
|
Jen Harvie |
Artists in the Neoliberal Creative Economy; Or, Is Creative Work Bad Work? |
Creativity: Method or Madness, University of Glasgow, College of Arts 4th International Post-Graduate Conference |
29/05/2015 |
|
Jen Harvie |
Housing, Participation, Art, and Performance |
Cultural Participation in Place, Geography and Drama, Royal Holloway, University of London |
12/05/2015 |
|
Jen Harvie |
The Case for Cultural Materialism: Art, Performance, Housing and Gentrification |
General Theory Programme: Where Theory Belongs, University of the Arts, London, and the ICA, presented at the ICA |
29/04/2015 |
|
Jen Harvie |
The Arts are Not Value Free: What ARE Arts’ Values? And Our Own? |
Take the Money and Run?: Ethics and Funding, organised by Live Art Development Agency, Artsadmin and Home Live Art, curated by Jane Trowell of Platform, Toynbee Studios, London |
29/01/2015 |
|
Tiffany Watt-Smith |
Organs of Imitation: Theatrical Body Parts and Scientific Psychology |
Victorian Body Parts, Barts Pathology Museum, London |
14/09/2013 |
|
Jen Harvie |
Is Dance Work Bad Work? |
Dancing Economies: Currency, Value and Labour, conference organised by the Society for Dance Research, in collaboration with Royal Holloway, University of London (RHUL) & London Studio Centre, RHUL |
20/02/2015 |
|
Jen Harvie |
The After Party: Montreal, Glasgow, London |
The Life and Death of the Arts in Cities after Mega-Events, Simon Fraser University/University of British Columbia, Vancouver, Canada |
16/08/2014 |
|
Jen Harvie |
Which City Do We Want to Have Lived in? |
performaCITY, Basel, Switzerland |
14/06/2014 |
|
Jen Harvie |
Affiliations, or Artistic Affiliations Across Borders and Boundaries: Surviving and Thriving in the Neoliberal Market |
Borders Without Boundaries, Canadian Association for Theatre Research (CATR), 2014 Congress of the Humanities and Social Sciences, Brock University, St. Catharines, ON, Canada |
24/05/2014 |
|
Jen Harvie |
Reassessing the Value of the Arts |
International Congress on European Theatre, Valencia |
24/02/2010 |
|
Jen Harvie |
Cultural Mobility: Liveability, Prosperity and Gentrification in the Creative City and Its Pop-ups |
Cultural Mobility International Workshop, Institut für Theaterwissenschaft, University of Bern |
12/09/2011 |
|
Jen Harvie |
Theatre Historiography for Better Futures: Materialities, Ideologies and Arts Funding |
Archives, Historiography, Politics – Ten Years On – Performance, Memory, Futures, National University of Ireland, Galway |
25/11/2011 |
|
Jen Harvie |
”Mixed Economies” of Arts Funding |
Theatre and Alternative Value – A TaPRA Postgraduate Symposium, Royal Holloway, University of London |
28/01/2012 |
|
Paul Heritage |
The Game is Violent: Cultural Wars in the Brazilian Government |
Brazil's New Government: The First 100 Days of Dilma Rousseff, King's College, University of London |
06/04/2012 |
|
Dominic Johnson |
The Cultural Politics of Live Art |
Extreme: Visual Representation and the Body Conference, Representation, Identity and the Body Research Centre, Department of Music and Performing Arts, Anglia Ruskin University |
25/06/2009 |
|
Caoimhe McAvinchey |
Keynote Address |
Wild, Wild Women: Ten Years of Intergenerational Arts Practice at The Women's Library, QMUL |
07/11/2010 |
|
Caoimhe McAvinchey |
The LIFT Living Archive |
Archiving for the Future, a one day PALATINE event, Stratford Circus, University of East London |
19/05/2010 |
|
Caoimhe McAvinchey |
Chair and Closing Plenary |
The Past Is Prologue: Creating Art from A Living Archive |
18/09/2013 |
|
Caoimhe McAvinchey |
Guest Speaker and Collaborator with Conspire Theatre Company |
Rethinking Power and Resistance: Gender and Human Rights from Texas to the Transnational Americas, Austin, Texas |
05/10/2012 |
|
Caoimhe McAvinchey |
Emotion and Embodiment in Performance Practice with Women in Prison |
The Body, Emotion, Fieldwork: Physicality and Fears, Warwick in Venice, The Palazzo Pesaro-Papafava, Venice |
01/08/2009 |
|
Caoimhe McAvinchey |
Beyond Policy: Applied Drama and Social Inclusion |
Policy to Practice, Waseda University, Tokyo |
01/07/2007 |
|
Michael McKinnie |
Citizenship, Monopoly Performance, and the Political Geography of Northern Star |
Stewart Parker Conference, Queen’s University Belfast |
01/11/2008 |
|
Michael McKinnie |
Capital: The Political Economy of Urban Theatre Environments in London |
Theatre and Space, ICI Berlin |
22/10/2009 |
|
Michael McKinnie |
The Theatre of Rent |
American Society for Theatre Research Conference, Montreal |
18/10/2011 |
|
Nicholas Ridout |
Return to ‘the Program’: Benjamin, Lacis, and the Proletarian Children’s Theater |
America Society for Theatre Research Conference, Nashville |
03/11/2012 |
|
Nicholas Ridout |
The Time of the Animal |
Four-Footed Actors: Live Animals on the Stage, University of Valencia |
14/12/2012 |
|
Nicholas Ridout |
Theatre as Time-Adjustment Request |
Performing Under Pressure: A Conference on Life, Labor, and Art in the Academy, Granoff Center for the Creative Arts, Brown University |
14/04/2012 |
|
Lois Weaver |
Lost Lounge |
Australasian Society of Theatre, Dance and Performance National Conference, Brisbane |
05/07/2012 |
|
Lois Weaver |
Retroperspective |
American Society for Theatre Research National Conference, Nashville |
03/11/2012 |
|
Paul Heritage |
Opening Sacred Season |
Sacred Season, Chelsea Theatre |
28/04/2008 |
|
Nadia Davids |
Writing and Performing Cape Town |
Great Texts/Big Questions, Cape Town |
16/04/2014 |
|
Nadia Davids |
Writing and Performing South Africa's Past in the Present: An Exploration of how Theatre Intervenes to Stage and Imagine History |
Writing South Africa Now: A Colloquium, University of Cambridge |
02/07/2013 |
|
Paul Heritage |
Keynote Speech |
Art in Our Big Society, Connected Culture, Arts Depot, London |
12/10/2010 |
|
Paul Heritage |
'O pensamento cênico e a política: ações sociais' |
Arte e Ciencia: Abismo de Rosas (Art and Science: Mind the Gap), ABRACE Congress, São Paulo |
11/11/2012 |
|
Paul Heritage |
Guest Speaker |
World Economic Forum Annual Meeting 2013: Resilient Dynamism, Davos-Klosters, Switzerland |
23/01/2013 |
|
Jen Harvie |
On Patronage and London |
Participatory Arts, Patronage and the [Post-]Olympics, University of East London and Birkbeck |
26/04/2013 |
|
Caoimhe McAvinchey |
Plenary Address |
Spotlight Symposium, QMUL |
24/06/2013 |
|
Nicholas Ridout |
Time and Again: Theatre Against Work |
Central School of Speech and Drama Performance Research Conference |
17/01/2013 |
|
Nicholas Ridout |
Working in the Dark, or, how to do Politics while going to the Theatre |
Yale University |
25/04/2013 |
|
Nicholas Ridout |
On Bock and Vincenzi and 21st Century Dance |
Siobhan Davies Studios, London |
27/03/2009 |
|
Nicholas Ridout |
Performing the Real: Economics and Aesthetics |
Performing the Real, parts of the SACRED Festival, Chelsea Theatre, London |
03/11/2009 |
|
Nicholas Ridout |
Of Time, Cats and Feeling in Common |
Thinking with Feeling, Durham University |
21/03/2009 |
|
Lois Weaver |
Lecture performance of What Tammy Found Out |
Contact Theatre, Sexuality Summer School, University of Manchester |
22/05/2013 |
|
Maggie Inchley |
Creative Acts: Responding to Looked-After Children and Young People in the UK Care System, with Sylvan Baker |
TAPRA, Worcester |
08/09/2015 |
|
Maggie Inchley |
“Calm Down Dear”: His-terical Voices in the House of Commons |
IFTR, Hyderabad |
05/07/2015 |
|
Maggie Inchley |
Theatre of Advocacy: “Asking for It” and the Audibility of Women in Nirbhaya, “the Fearless” and of Malala, the “Heroine” |
CDE, Barcelona |
04/06/2015 |
|
Maggie Inchley |
Leverhulme Panel, ‘Verbatim Theatre’, with DV8 Physical Theatre Artistic Director Lloyd Newson, playwright Alecky Blythe, and playwright Chris Goode |
QUORUM, QMUL |
08/10/2014 |
|
Maggie Inchley |
The Phenomenology of Voice and Space |
Space Symposium, Birkbeck College |
16/11/2012 |
|
Maggie Inchley |
The Philosophy of the Voice and Accent |
International Centre for the Voice, Symposium on Accent and Dialect, Central School of Speech and Drama |
01/04/2011 |
|
Maggie Inchley |
Accents and Dialects in the Theatre of the 1990s and 2000s |
Stage, Song, Screen Conference, University of Winchester |
03/09/2010 |
|
Maggie Inchley |
Voice in British Theatre, 1997-2007 |
London Theatre Seminar |
03/12/2009 |
